In Thursday’s just released Reflex Blue Show, Steve, Donovan, Aaron and I got to talking about the hideous (in my opinion) amounts of new-logo-hate that seems to have taken over our profession. Mostly this came out of conversations surrounding the newly designed “B1G TEN” logo by Pentagram. I thought, as I still do, that the design was well-executed. While I am sure other designers land somewhere between that viewpoint and “poorly executed,” I was shocked to see how many people were taking an all-or-nothing approach to the mark.
The “B1G” mark was good, the “B1G TEN” was the most awful thing that had ever been perpetrated against design. The whole logo is a failure! The client must have made them do it! No self-respecting designer would ever, ever do that!
Obviously that is an extremist opinion, but I heard it everywhere I turned, a few rational voices not withstanding. From my perspective, it amounted to little more than jealous sniping and catty behavior from designers who would give their left nut (or… ovary?) for a shot at business of that scale. And what I was left with was the thought of how bad this makes us look as an industry.
My prevailing response can be seen in the second panel of Wednesday’s comic, and I can make no more compelling argument than that. If we as an industry tear down every new logo design we see, independent of quality as I often see is the case, to a point where companies like The Gap reject their work and revert to previous designs, we become our own cancer. We are those most loudly declaring that expensive design is not worth the expense. As the business community begins to take notice, they may come to agree with us. And at that point, our profession is finished.
Every designer’s public voice represents our industry as a whole to those who hear it. Please speak responsibly.
Can I confess? Someone I know has made one of those logos. Okay, okay, it might be a bit of a stretch. It probably is. the curse of knowing has plagued me for some time now. Do you say something? Do you not? It’s like having bad news for a friend, and it’s not really your place to tell them, but you don’t want some a-hole to do it and make it worse?
You know what the best part of this is? Now all of my friends are looking at their old logos to figure out if it’s them. Yes. It is you.
By the way, accidentalsexlogos.com is available, if that’s your thing.
iStock seems hell-bent on their quest to become the Wal-Mart of the graphic design industry, by offering the cheapest quality at the cheapest price. They have recently turned their hungry, hungry eyes on logo design, and are seeking clientless, meaningless logo art to stock the shelves of their store in hell before launching it to an unsuspecting public. For your trouble, you will be paid $5.
Five. Dollars.
Last week I got bent all out of wack over two kids charging $200 for a logo, so I’m sure you know how I feel about this. Design, and the good that comes from it, is not a commodity. That is why Wal-Mart is not Target, why Microsoft and IBM are not Apple. You cannot prepackage design. Even in this uncertain economy, even with a crunched and desolate job market, $5 for a logo is beyond the pale. Even Hobos have standards.
First, we’d like to thank everyone who’s shown their support to 36 Point for the past year and a half. Second, we’d like to blow your minds with our exciting announcement that we’re transitioning to an all-hobo format over here. Beginning this morning with our first Hobo-Designer-1PT.Rule, and continuing soon with only-on-the-train-tracks recordings of future Reflex Blue Shows, we’re sure you’ll be as excited for this change as we are.
To celebrate and make it official, we commissioned leading logo and identity designer Drew Davies of Oxide Design to create our new mark. “Knocking it out of the park” would be an understatement. “Everyone said Cooper Black was dead, and look at it now,” Davies said of the redesign project. “Hobo is here to stay.”
Drew Davies’ work has appeared in Logo Lounge 2, 3, 4 and 5, as well as two upcoming Master Library books from that series, Communication Arts (six times), AIGA 365 (twice), Print’s Regional Design Annual, HOW Magazine, and he has served as a judge to many regional and national design competitions, including the Communication Arts Design Annual in 2004, and serves as the Design Director for AIGA’s Design for Democracy.
During our recent trip to Kansas City to hang out with the coolest people we could find (a successful endeavor to be certain), we quite accidentally ran into two dudes doing the exact same thing, only across the entire country. Then, in fact, we discovered they have not only been through our town (no doubt on a train car or dusty back road), but they knew our friends and, in fact, have profiled some of them.
They seemed polite enough, you know, for hobos. I don’t think they were actively being malicious or mischievous, but the way they afford to travel the country is, sadly, accurately depicted in the strip. Pray for them that they don’t knock on the wrong door.
Or that they do. I’m not here to judge your level of evil.





Nate Voss is a designer, illustrator, talkshow host and design journalist. Working in Omaha since 2001, Nate served four years on the Board of Directors for
Donovan oversees all creative development at