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Complete Episode Guide to The Reflex Blue ShowGraphic Design Podcast on iTunes

The Reflex Blue Show, Season 2, Episode 21: Secret Penguins and iPads

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Last Saturday, What Cheer was holding an open house to celebrate their new office space. They may not have had a Street Fighter II machine in the lobby like we do, but there was an Elvis pinball (TCB!) machine in the building. They also had a camera set up to automatically take pictures every 10 or 15 seconds, leaving prrof that Nate and I were both there. The evening also gave us a chance to see the new Secret Penguin office next door (still under construction), and talk with the head penguin himself, Dave Nelson.

Dave had previously been a guest on the Be A Design Cast (#28: The Freelance Show) when he was part of Divvy Collective, and a guest of The Reflex Blue Show (#11: Epic Fail) when he shared office space with What Cheer. As Dave is in a two-week limbo between offices, and working out of his house, we figured it was an ideal time to steal an hour of his time to talk about the industry.

The big buzz is all about the iPad (which we had things to say about) and how to get work in this economy (which it ends up we didn't have much to say about, so it's best to just listen to Michael Bierut talk about clients). We end by speaking about what Secret Penguin has been up to lately: getting skateparks in Omaha, an award-winning website for an OB/GYN, and all sorts of Martial Arts.

And of course, Mig Reyes brings us the student tip. And Dave supplied the Red Bull Sugarfree.


The Reflex Blue Show, Season 2, Episode 20: Twitter Show 2: Throwback to the Future

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It was exactly one year ago today that Nate set up the @36Point Twitter account, and told me to use it. That weekend we drove to Fort Smith to help judge the AAF-Fort Smith ADDY show, and documented the travel with regular tweeting. The following week, we decided we'd ask our wonderful show listeners to ask us our take on anything design related via Twitter, and recorded our first Twitter Show (The Reflex Blue Show #26).

A year later, we figured it was time again - a whole show talking about what was sent to us just an hour or so before recording. @nick_merritt@iKitty, and @notoriouslb3 ask - and we answer.

For those who like a little more detail on what we cover: view Al's very cool Haiti poster, check out some vertically-striped socks, turn ahead the clock, witness the return of a 'hillbilly', love or hate a serif, view a movie, drool over some crowns, dress like a Skywalker, and listen to Mig Reyes tell you how to be successful.


The Reflex Blue Show, Season 2, Episode 19: The Aught Years in Design (2000 - 2009)

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How far have we come in design over the past 10 years? Think butterfly ballots and iPods

How far has technology evolved between Y2K and the end of 2009? Obviously not enough to where a laptop running GarageBand and iChat can handle more then 15 minutes of audio before crashing with memory problems is the answer to that one.

The aughts also brought designers the merger of Adobe and Macromedia, the demise of the rolodex and a change in how stock imagery is bought.  

So this week we bring Steve Gordon and Adam Nielsen out of the frozen lands of Hoth (or Omaha, it's the same place this week) to recap the last ten years with Nate and I, while making predictions of the next ten.

And how can a design podcast on the past ten years not mention the design blogs, the design podcasts and forums? We can't - we cover them as well.

As the show progresses, it becomes like the Highlander, "in the end, there can be only one." The technology delays kill the time we have with Adam. Nate is soon to follow (and since Nate was stranded on a remote area of Hoth, and had to conference in, we immediately moved to more traditional recording methods, making the sound instantly better). Steve and I are left dueling for the Immortality that we both feel destined for until Mig Reyes swoops in with the final say and wins the game

Do you have some wild predictions of your own for the next ten years? Be sure to leave them here.     

The Reflex Blue Show, Season 2, Episode 18: Jason Tselentis Interview

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If memory serves me correctly, I met Jason Tselentis during an AIGA Nebraska event where House Industries presented at a bowling event. After the presentation, Jason ended up being in the same group of lanes I was during the after-presentation bowling. Over the next year or so, I spoke with Jason at a number of AIGA events, until he left the city to get a master's degree.

Years later, we ran into each other in the online world, with him writing for Speak Up and me at the also defunct Be A Design Group. It was only a matter of time before he finally stepped foot back in Nebraska, where we got him to stop by and record a podcast with us.

Since Jason also teaches design, we start with a conversation of specialization versus generalization in design degrees and design businesses. From there we show him that which he has never seen. The new 'Aol.' mark.

Mig Reyes makes a return with a student tip, and we end speaking of Jason's upcoming (2011) Rockport book on Type.

And please, let us know if you use the measurement known as the pica. Do you?      

The Reflex Blue Show, Season 2, Episode 17: David Barringer Interview

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We got word that David Barringer was coming through Omaha to judge the AIGA Nebraska Show, and jumped at the chance to talk with him. Well, I ended up being in LA at the time, so I had Steve Gordon step in for me on this one (which was a good decision, because the recording is a hoot).

Besides discussing his Bug Kit and new book, There's Nothing Funny About Design (with a cover by Felix Sockwell), the discussion ranges from Emigre, Chuck, the difference between stealing and an homage, service vs. commodity, Shogun Warriors and other random topics.

Buried in the conversation is also great advice on getting freelance writing, design business models, clients and a mention of David Barringer's article on top hats. Nate even does me the service of giving himself a wicked burn in my absence. Epic friend move.

As always, leave your comments below, and we'll be back in two weeks.      

Complete episode list >>

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  • 1PT.Rule Comic: adobee, Coming This Fall!
    Tom Nemitz says: "I will always think of Illustrator as the dickhead jock of the group." Myself, I consider Illustrator to be the Jeff Gillooly of design software. You know, Tonya Harding's BFF who took out the kneec
  • 1PT.Rule Comic: adobee, Coming This Fall!
    Prescott Perez-Fox says: I cannot stand the little differences! You're right, Illustrator likes to make its own rules. For example, why when you go to Preferences, does Illustrator refer to "User Interface" and put it almost
  • 1PT.Rule Comic: A Subtle Difference In Tone
    Clint says: Holy crap dude. You must, MUST make this card a reality.
  • The Reflex Blue Show, Season 2, Episode 20: Twitter Show 2: Throwback to the Future
    Donovan Beery says: And then Nate returned the hazing to Omaha, and forced it upon me... the bruises are mostly gone now...
  • The Reflex Blue Show, Season 2, Episode 20: Twitter Show 2: Throwback to the Future
    Mig Reyes says: I remember when Nate was over at the R29 HQ, still not on Twitter. And I remember the hazing, and the pressure, and the pain we inflicted on him into finally succumbing to the 140 character blessing/c
  • The Best of Business Card Design 9
    Jae says: Donovan, Thanks for the link and update. Just pre-ordered mine as well.
  • 1PT.Rule Comic: The Trouble With Type
    Kevin Fitzgerald says: I'm gonna say 'Me too! Me too!' to the devil's advocate. (Oxymoron?) Granted, I keep looking at House, and Veer, and Village, and a ton of other type shops. They do come out with some sweet faces, and
  • 1PT.Rule Comic: The Trouble With Type
    Bennett says: I'll be the devils advocate and also not touch the font pricing issue. Mid-way through college I had a layout and design class. A few of the students were already in the practicum class and therefore
  • The Reflex Blue Show, Season 2, Episode 18: Jason Tselentis Interview
    Jason A. Tselentis says: Prescott, I especially like your actor analogy. It's a relatively good way to frame how designers can perform: flexibly moving from one genre (content area) to another, with the capacity to move betwe
  • 1PT.Rule Comic: Dark Character Sets
    Kevin Fitzgerald says: Aha! Conradica Black. EXTRA Black.
  • 1PT.Rule Comic: The Oblivious Solution
    Ben says: Why yes I have designed/developed a font for use in a Flash application. And boy was it amazingly hard - probably the hardest work I've ever produced. Mad props to those who do it for a living... @Pr
  • 1PT.Rule Comic: The Trouble With Type
    Nicholas says: Nate, It seems like your issue isn't exactly with the price of a typeface, but simply that you don't have the option of buying just a face over an entire family. Is this correct? It seems like it, a
  • 1PT.Rule Comic: The Oblivious Solution
    Prescott Perez-Fox says: I never have, but I'm sort of doing it now. Basically, I'm retooling Gill Sans, which is a bit of a project. The S is the most annoying character by far. H is easy. I definitely have massive respect f
  • 1PT.Rule Comic: The Oblivious Solution
    Ryan says: This is so great. I laughed. Out loud. I haven't designed a full typeface yet, but I have created custom letterforms for specific purposes, not usually used again. Although it takes much more time
  • The Best of Business Card Design 9
    Donovan Beery says: The book is now available for pre-order on Amazon here. I ordered mine this morning.
  • 1PT.Rule Comic: The Trouble With Type
    Thomas Jockin says: Nate, If I'm a smart designer and I know what type I want to specify for a job, and I don't want to buy the whole package every time, I should be able to do that. It's an albums vs. singles argument,
  • 1PT.Rule Comic: The Trouble With Type
    Nate Voss says: Thomas bringing the math! Your price assessment of Archer is right on the money. But it breaks down without the option to purchase them individually. Hell, I might even go up to $10 a typeface if the
  • 1PT.Rule Comic: The Trouble With Type
    Clint says: I totally agree, and never thought of it that way. The first far-sighted font foundry who is bold enough to set up their business model this way (iTunes for fonts) will dominate the market squeezing o
  • 1PT.Rule Comic: The Trouble With Type
    Thomas Jockin says: Nate, a couple of points: 1) Let's say you wanted the entire Archer family on 2 computers (40 font files x 2 = 80). On the H&FJ site the price is listed: $478.00 $478.00/80 = $5.975/font. It's abo
  • 1PT.Rule Comic: The Trouble With Type
    Adam says: I'm not sure I fully agree with you on this one. Have I been in the situation of not being able to afford the best face? Of course. How ever I think it brings quite a bit of value to our industry and

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